Check out my latest pieces:




Monday, November 8, 2010

Kings

This was published at the 6S social network on August 12, 2010.

Kings

Kings will bear statues to biggen their britches, but their ancestors
were faceless and came from the mud too. Every self-made man is a petty
impostor, and those who deride him, his pompified progeny. It’s just a
husk they try to impress as historical synergy, devoid of meaning,
truth, and impact. How can a response to one time’s conditions be
induced through all others and expected to fit so naturally despite its
shape and ours? Freedom from the past, which clutches like swamp water,
is impossible to be completely accrued; some things need sharing, else
you never get to bargain, and in a mouldy, wet cave you’ll live out your
days. It always seems necessary to take some responsibility.

VIII and The Little Butterfly

These pieces were published at unFold from the week of August 2nd.

VIII

One mug left
Cupboard stands bereft
Lacking doors

The Little Butterfly

I.
Hitting wind with wings, at times
brings out hope in all of those
who live with the ground close

II.
Among sparsely growing grass
lawns of car parts, toys, and trash
split by scorched earth track

Condemned

This story was originally published at A Flame in the Dark on July 12, 2010.

Condemned

The sun beat down on the meadow in waves of bristling heat. Thermometers were shattering as the mercury poured out their tops. The buildings in the distance were distorted by the swaying of the air. Between the rows of tombstones and concrete covered graves, the grass grew incredibly green for the heat. Three graves sat open and welcoming, the cool dirt arranged in neat piles next to them. They seemed to be inviting guests with the temptation of a brief respite from the weather. Not that it was much cooler where they led to. Next to one of the graves was a simple oak casket. The static buzz of mingled conversation wafted unintelligibly from the small crowd around the little grave. People were shifting uncomfortably in their black clothes. One man kept adjusting his tie, another fiddled with his cuffs, yet another toyed with her hat. Ripples of resentment ran through the small company. The inconvenience of having a funeral on the hottest day of the year engendered ill-will and spite. Faust sensed the self-righteous feelings of ire that surged around him. He wished that those who came out of a sense of obligation had stayed home. After all it was his brother, and if they cared more for their own comfort than for the fact that Erkenwald was gone, what business did they have attending his funeral.


Faust was standing at the head of his brother’s grave preparing to deliver the eulogy. Behind him his mother sobbed, but he didn’t have the strength to look at her or give her comfort. He found himself staring at the ground as he imagined the things he should say to his mother but knew he wouldn’t; uncle Polonius will be there, he thought. He looked over the crowd to shake out the thoughts of guilt and saw nothing but fawning sycophants. Most of them had come for the simple reason that one could not in good taste avoid a funeral; their only purpose was to avoid insult. They would deliver their platitudes and insincere condolences with dismayed expressions, their limpid eyebrows raised, foreheads creased, lips puckered in a spurious imitation of sorrow. And after all their fraudulent empathies, they would return home relieved to have “gotten it over with.” Faust ran over what he planned to say, and as he did, all the memories he had dredged up for this occasion came back to him. In his rage, tears nearly came to his eyes. He raised his hand to cover his face, composed himself, then looked over those gathered together once more. After clearing his


“My brother, Erkenwald, was only twenty-one. That’s twenty-one years we spent together, far too short a time to spend with such a wonderful boy, no,” he paused, “man. We should all remember him as a man. In years he may have barely been out of boyhood, but how like a man in his compassion, how like a man in his loyalty, and how like a man in his love. Erkenwald’s courage always astounded me. He was never afraid to express affection to anybody. He was never ashamed to say when he loved or when he cared. He could say the most disarming, honest things to anybody. Once,” Faust chuckled, “at a bus stop, Erkenwald met a stranger and his girlfriend. The guy was dressed up as Superman. So, Erkenwald told them that he had a super power, too. The girl asked what it was, and Erkenwald responded that he had the power to withstand any awkward situation. The superman and his girlfriend were silent as Erkenwald smiled at them ingenuously. They stared and he stared back. Then the superman sighed, saying that he wished he had that.” Faust grinned, “This was so true for Erkenwald; he was always unabashedly bold.



"Erkenwald had been having some trouble in his late teens;” Faust’s demeanor became grim as he said this, “he had no direction in his life. I will not speak of those days, their proper place is in the past. His life should be judged on how he lived after that time. My mother and I were a little confused when he began calling himself a Christian, but the change wrought in him filled us with joy. He finally appeared to be pulling his life together, getting his diploma, going to school, and finding a job.” His eyes began to sparkle, “He became so devoted in his affections and his honesty. He quit drinking and smoking. He began hiking, and grew healthier and healthier. This was not to last, however; the world was too cruel for his fragile optimism. Erkenwald had a run of bad luck, and he proved unequal to the task of bringing his dreams to fruition. We can only presume,” his voice cracked, “that it was these sorrows that brought back his malaise and led to his suicide.”


Faust stopped to take a breath. His look became darker as he went on, “Erkenwald’s depression is something that we are often likely to blame ourselves for,” there was an almost sarcastic tone in his voice, “thinking that we could have prevented all this by being kinder or more considerate. What if more of us had told him how much we loved him?” his voice was almost outright hostile now, “Or what if we had been there? Could we have helped him?” The angry edge left him and he looked defeated, “These are questions I have had to put out of my mind many times since Friday. Erkenwald was my brother, I loved him.” A few tears appeared, streaking down his cheeks, “I would have done anything to help him. I can’t now. I can only hope that my brother will be happier wherever he ends up. And, I can say these few words, keeping him forever in my heart. This is our last goodbye for dear Erkenwald. May he rest in peace.” Faust stepped down from before the assembly and took his seat for the remainder of the service. His face was blank and haggard.

Following the Eulogy, Faust retreated into himself. On into the reception at the funeral home, he acted petulant and apathetic. He couldn’t stand to think. All his heart and soul went into his speech, and he was left with scanty resources to face the remainder of the day. He wanted nothing to do with anybody, but he sat patiently through all the forced greetings and false commiseration. It meant nothing to him when someone would tell him, “We’re so sorry for your loss.” He would stare at them, no emotion registering, and mutter, “Thank you.” He didn’t mean it; they didn’t mean it. Nobody owed anybody anything, and they all left without having sacrificed the convenience of their formal relationships. When he found a moment free from attention, he slipped out. Passing through a room full of empty coffins, and a broom closet, he found a small room with a couch and a table of refreshments. He put some water on to boil, picked out a bag of tea, then lay down to rest his eyes for a few moments. He fell asleep immediately.


Faust was walking along a flat gray plain. The light was not unlike twilight but it was as if it came from a colourless sun. He could see nothing but small stones, the ground being but granite, broken here and there. The wind was still, but howling like a hyena. Beneath the howls it whispered to him. The more he marched, the clearer he heard the whispers. They told him of every little secret he kept hidden from fear, shame, or guilt. They brought faces to his mind of people he’d hurt: the five year old half-French boy, the girl with the golden curls and the voluptuous figure, the married simpleton who believed in salvation, his own mother, his brother, and so on. Tormented by the whispers, he did not see the orchard approaching on the horizon until he was upon it. It was filled with shrubs, their branches bare except for the strange fruit that hung with great weight upon them, decaying rather than growing. He approached the nearest shrub to examine its resident. He recognised his brother’s corpse resting before him. The legs and arms were splayed out in what would have been an uncomfortable, even impossible, position were they attached to a living person. Blood dripped from the branches and down along the multiple trunks from numerous gaping wounds and sores. Maggots slid through his flesh, whilst rats crawled all over him. His head hung back with his mouth open slovenly, like he had just fallen asleep in front of the TV. Bile trickled down his chin as drool used to. Faust looked, contemplating the almost lifelike expression on his dead brother’s face. A shriek cracked through the sky, waking Faust from his reverie. He looked up, bending and ducking as he did so. Flying above him was a pack of savage harpies, vigorously extending and flapping their immense wingspan, and feasting on the abandoned cadavers. Their dirty yellow hair whistled and whipped behind them in a tangled matte, and their wrinkled and sagging breasts flounced violently against their chests. They clawed with their talons as they wheeled in Scythian circles, diving at their many and defenseless victims. They were constantly gnashing their near toothless mouths, their cracked and blackened lips becoming stained red. Their eyes were dark as opals, glittering malevolently in the reflected light like so many stars suspended in the hostile emptiness of space. One of the clamor came down and snatched at Erkenwald’s ring finger, and struck a branch as it went by. The branch broke and out came a hideous wailing scream. Faust recognized his brother’s voice. He clasped his hands over his ears and fell to the ground, groaning before he realized that it was only the kettle going off.


Faust stared at the kettle in confusion. He got up and poured his tea. The door to the room opened and his mother looked in. “Oh, here you are,” she said. “What are you doing? I was worried when I couldn‘t find you anywhere. I hope everything’s alright.” Her eyebrows lifted questioningly.

“I’m as fine as can be, mom. I was just getting a cup of tea, and I fell asleep on the couch. I needed to get out of there for a bit, you know.” Faust looked up at her. “It’s a lot to deal with right now.” Faust looked down into his tea and then took a sip, jerking his head away when his tongue met the boiling liquid. His mother let go of the door and gave Faust a hug, cheek to cheek. “I know,” she said, “I love you. I’m sorry this is so hard on you.” A crack came into her voice. She released Faust, giving him one last squeeze. She turned around, walked to the door, looked back with misty eyes, and said, “I’ll leave you alone for a bit.” Then she walked out. Faust wondered again why he couldn’t talk to her. He had been thinking, over the past few days, of all the things he should have said or done for his brother. Now here he was in the same pattern, locked down and uncommunicative with his mother. He had developed a fear of being vulnerable with others. He walked the easy road, hiding anything that showed the true state of his heart and avoiding direct, open intercourse with other people. He felt it guarded him from pain, but it also shielded him from joy. Hell, he thought, I should have told her about my dream. He needn’t feel uncomfortable about sharing it with her. Dreams, stories, all flights of fantasy were perfect for broadcasting how one felt with out being put on the line. On the other hand, he hadn’t had any time to process it for himself, and it was only a silly, meaningless dream anyway. There was no reason for him to tell her anything that might further upset her. She didn’t need to carry his burdens; she had her own.

The door opened again and Uncle Polonius appeared. “Hey, your mom told me where to find you. We’re wrapping everything up. It would be nice if you came out and said goodbye.” From Uncle Polonius’ tone, Faust gathered that his mother had mentioned that Faust was in a mood. Faust scowled, irritated that she would blabber about it to Polonius of all people. He wasn’t in a ‘mood’ either. He was just sick of dealing with people’s lying smiles and weak handshakes. He took a few more sips from his tea, nodded to Polonius, then put down the half empty mug. After about an hour of winding down, saying goodbye to people, gently dragging the stagglers away from the bar, Faust found himself in a car with his mom and his uncle. Polonius was driving. Nobody said a word. Faust was staring out the window, watching the storefronts go by, looking at everything and seeing nothing. Eventually, his head, bobbing back and forth to the motion of the car, his eyelids sliding up and down, he fell asleep.

Faust saw Erkenwald standing before a large wall, like a battlement, with a wooden door painted a deep, dark blue. Erkenwald looked extremely pale, his mouth hung open and his tongue was lolling out of his mouth. His pants, soaking wet all along his inner thighs and crotch, sagged as if weighted. He had a noose tied around his neck and held the several feet of extra rope penitently in his hands. When Erkenwald approached the door, the air around him seemed to implode. Faust felt he almost saw Erkenwald’s soul flipping. The door swung open smoothly without sound. He was flanked on one hand by a man with the head of an ox, and on the other by a man with the face of a horse. The ox head carried a gavel made of bronze, breathing heavily from his forceful nostrils. His horns were soaked in blood. The horse face had with him an enormous iron spike; he whinnied slightly, smiling a horse’s demented smile. The two animal things were mangy, there fur matted and disheveled. On their hands, it came up to their knuckles, and it grew in large tufts on their toes. Around their mouths it was crusty from former meals, and the fleas jumping in their fur were the size of bees. Erkenwald stepped forward hesitantly; his otherworldly guards struck and jostled him roughly. Their weapons left deep gouges and black bruises all over Erkenwald’s bare back. Erkenwald stumbled forward under their blows, being pushed into a large crowd . When he crossed the threshold, the door closed up as if it had never been. Erkenwald was in a vast expanse, closed in by the battlement. People, so many that there was hardly any room to move, filled the enclosure. They carried disfigurements of every imaginable kind. The field was mute save for the shuffling of the multitudes as they shifted back and forth unable to sit or find any rest from their tortures, yet constantly searching for some relief. Erkenwald joined the mass in its aimless dance, his eyes matching all others in their vacant gaze and hollow expression.

Faust woke up with a slight jump as the car came to a halt. He looked out the window to see that they had arrived at the house. Uncle Polonius turned around with a friendly, if patronizing smile. “You have a nice little nap?” he asked as he unbuckled his seat belt and opened his door. Faust’s mother was already stepping out of the car. Faust looked out the front windshield, trying to get his bearings. His dream remained perfectly vivid. He was left disturbed by the unfamiliarity of the imagery. He found it hard to believe that it all came from his own subconscious. “Are you coming?” said his uncle. Faust fumbled with his seatbelt. As he came into the house his mother asked him if he was alright.

“I’m fine,” he said, as he passed through the foyer and flopped onto the couch with his coat still on. “I’m just exhausted. I haven’t been sleeping well. Weird dreams.”

“Dreams?” his mother looked at him inquiringly, “About Erkenwald?” Polonius was taking off his coat and scarf, and pretending to be uninterested in the conversation, he drew it out as long as he could.

“Yes, about Erkenwald.” Faust replied with vehemence, as if he had confessed some horrible sin. “In my dreams he’s suffering in hellish places. He’s being tormented, and everything that makes him who he is, his soul I guess, is being annihilated. I mean, these are some sick, twisted dreams. We’re talking R-rated. And they’re so real. I’m starting to wonder if that isn’t what’s going on. We don’t know anything about the afterlife. Maybe suicides do go to hell, how can we know? ”

Faust’s mother looked puzzled, “Faust, I don’t know how all these ideas got into your head. Maybe you’ve been thinking too much about your brother’s little Christian thing. All I can say is that those stories passed around about a wrathful God who punishes the wicked are idiotic. Its not a wrathful God out to get us, it’s those petty hate mongers crucifying everybody who’s different from them in their small minds.”

“God’s a far stretch, I know, mom, but the Devil, now there is someone I can believe in. Look around you at the world today.”

Polonius, finally removing his shoes, decided to jump in, saying, “On the other hand, you can’t just throw out the experiences of thousands of people over thousands of years.”

Faust’s mother began to get offended, “Shut up, Poly. This is no time for your philosophizing. My son is not roasting in the lake of fire, no matter what a bunch of whacko priests and starved ascetics say. He was a good boy. If there is a God, I can’t believe that he’d damn a poor kid to an eternity of despair, just because he couldn’t handle that which he was dealt on Earth. If He’s supposed to be in charge of the show then it’s His own damn fault that people commit suicide.”

“Except,” replied Polonius, “that we create all the sorrow here on earth.”

“That’s enough you two,” Faust cut in, “this isn’t about God or the problem of evil. This is about Erkenwald. My brother! Who may be suffering. I’d give my soul, my life, to save him if that was the case.”

“Don’t say that Faust.” His mother commanded, “I’ve already lost one son. I don’t want to think about losing another.”

“Whatever. I’m going to bed.” Faust retreated upstairs and collapsed onto his bed.


Erkenwald was in a field of fire, completely naked. He was screaming, raw and harsh, at the top of his lungs, his vocal chords sounded hoarse and his body was frozen in pain. Faust found himself next to Erkenwald, but unaffected by the flames. They flickered, coiled, and leaped all about him in streams of red, columns of orange, sparks of yellow, flashes of green, foundations of white, and hearts of blue. Faust ran to his brother and tried to talk to him or get him to move, but he could find no way to help him or communicate with him. Faust looked around frantically, distraught and disoriented by his brother’s wailing. He saw a tall tree grow in the distance. He flung his brother over his shoulder and began carrying him towards it. When he came to the tree it was like walking into a clearing; the area surrounding the tree was bare, the ground cracked and dry from the excessive heat. In the clearing were many people, some, covered in enormous blisters, their skin red and oozing, were crawling towards the tree. There were many, however, who had no burns, yet they writhed on the ground in savage hemorrhaging and pain. Faust watched one woman take one of the berries from the tree and place it in her mouth. Her burns seemed to begin healing she kept eating. Faust, relieved, rushed his brother, still screaming, to the tree and, taking berries hastily, stuffed his mouth with them. His brother’s burns began to fade away. Erkenwald’s shrieking ceased. Faust released him, and he got up onto his feet. Erkenwald stretched as the last of his burns disappeared. He smiled and sighed, then his face contorted into a grimace. He bent over and clutched his stomach. His face went violet. He fell over and began to roll around moaning. His moaning grew into a frenzy of squeals more primordial than his last bout. Faust looked at him in horror. Turning to the tree, he grabbed one of its fruit and gave it a closer look. The berries were shaped like people’s faces only distorted and disfigured. The berry he was holding looked up at him and smiled; he dropped it in shock. It began to hop around on the floor. A laugh came from behind Faust, he spun around quickly and briefly glimpsed a lizard-like behemoth rippling with muscle and flesh before he awoke.


Upon awaking Faust sensed a presence in his room. It was dark and he could see no one. He peered into the darkness and heard a laugh identical to the one in his dream. “Who’s there?” he demanded, sitting up in his bed. “Show yourself.” He heard a crack, felt pressure on his forehead, and his eyes crossed. He saw Erkenwald wrapped in chains in a dark pit. Then he witnessed himself unwrapping Erkenwald’s chains and putting them on himself. Erkenwald walked away smiling and met their mother. He hugged her. The vision ended and Faust was conscious again of being in his room. “Is this what you’re here for? A trade?”

A voice that came from the ambience of the room said, “Yes. He will live if you take his place.” The voice was deeper than any that came from man. It was hoarse and menacing. It’s guttural and alien cadence did not fit well with the English it spoke.


“How do I know he won’t end up right back with you next time?”

“That is his decision. We will give him, as you say, a fair chance.” The voice chuckled, an eerie rumbling that gave Faust some misgivings.

“Am I to gather that there is the possibility of being saved from you, of being free?”

“I will not speak of this,” the voice became abrupt and impatient, “Do you accept?”

The voice’s irritation made Faust feel smug. “I accept.” He said. There was a burning flash, and he disappeared from his room. He was engulfed in indescribable pain.

*


Erkenwald woke up on Faust’s bed. He was alive and well. Looking around him he was confused for a second. He shook his head and, gradually, his memory returned. On realizing what Faust had done, Erkenwald began to cry. “You fool,” he said between tears, “bringing me back to life does not cure my misery. It is only expanded by my experiences. How can I be free from hell when it lives inside me?” His grief turned to rage, he began screaming and throwing things to the ground, turning over the desk and smashing the pictures on the wall. “God damn you! God damn you! Why didn’t you leave me to my fate!?” He began to claw at himself. Polonius and Erkenwald’s mother, hearing the noise, came rushing in seeing Erkenwald they stopped, amazed. Polonius then tried to restrain Erkenwald who had not noticed them in his madness. Polonius wrapped Erkenwald in his arms, but Erkenwald broke free, and, running from him, ran through the window and fell three stories. He did not survive. The brothers, who loved each other so, were together again.

Monday, October 11, 2010

The Other

This piece was published at sillymess on July 8, 2010.

The Other

It has been growing for some time. One might have begun to realize that it is a He.

It began as an idea, easily rejected. The nature of an other to existence, something outside of, not a part of, external, is non-existence. To define the essence of the other there needs to be the under girding of the common inherent properties of all things. Rejection in an idea is an acknowledgement of meaninglessness. Meaning can have no common property with the other. It may merely be illusion, but that illusion is grounded in its nature as predicate of reality. The other comes as an object of existence and not an other. Its essence, requiring existence, paradoxically presupposing its nature as an other to existence. Too big for itself, the logic collapses inward.

Yet, the other remained acknowledged as such. As such it grew. One began to see that the necessity for the other preceded the structural support of common inherent properties. The common inherent properties themselves, being a foundation built on nothing, were in want. Only the paradoxical suffices to erect the erroneous picture of actuality that is purported, by simple observation, to exist. The other, at once in and out of what is, finds itself suddenly, against all probability, inflating. When the essence of the other, being eliminated, abandons preeminence to its nature, then the other is suitable as foundation. From the very conflict of essence and nature emerges the inscrutable and ineffable, that which can cause movement without moving.

Finally, the other imbues from its disenfranchised environment, being entwined with, superceding even the common inherent properties. It lays claim to the paramount position among concepts. And meaning will bow and be defined in the light of the other. Essence will find its own essence to be the other. There will be no definition that does not presuppose that the other is implicated. Still, it grows. All that is real, all that is unreal, it encompasses. Its very nature demands that all the imperfections fall under one heading. Perfection becomes only its mark, the view from a distant vantage point. It speaks, and nothing does not come from its voice, and so it lays claim even to person -ality and -hood. One might have begun to realize it was a He.

Taxonomy of Corporate Stoolies

This piece was published at Everyday Weirdness on July 9, 2010.

Taxonomy of Corporate Stoolies


James had been having a hard day at work. When he left home twenty minutes late he knew he was already sitting on a bed of nails, and it was just his luck that the police stopped him and nearly ripped his nose hairs out for speeding. When he got to work his boss decided to test the resiliency of his eardrums by shoving a large steel pole directly into his ear lobe. Then the secretary, in collusion with the boss, tied weights to him, and his department head spent the morning trying to pry the unfinished Holgate report from his hand. Tim, the man with the hearing trumpet in the cubicle across from James, hoping to move up in the business world, kept checking for signs of life, that he might hear the telltale sounds of an expiring career. James was tied up and strapped down. When he left his chair it seemed as if someone was watching him from behind, or maybe even from above, and drills were bored into him by many eyes when he took a water break. He knew that his coworkers were envious of his new promotion, and that his superiors were expecting more from him, but this was beginning to take its toll.

Finally when it seemed that things could get no worse he put his foot in a bear trap. He heard an eerie chuckle echo around the empty hall. Then Tim came from around the corner. When he saw James he looked at him in horror. “I’m so sorry! I’m so sorry!” Tim said as he raced up to James, but the grin Tim wore said something completely different. “I was only going to leave it here for a second. I never thought anybody would come along in such a short amount of time.” James finally, recovering from shock, began to scream. The following moments were all a blur, but the next thing James knew he was being rushed out the front on a gurney. Someone shouted, “Yes!” as the doors closed.


James wondered what he had done to deserve this. He had always been friendly and reliable, but never too reliable. He worked as hard as he should, and did all that was asked of him. He never gave anybody any trouble. At the Hospital the doctor dismissed James’ injury as being mostly psychological and said that he didn’t need to be operated on anymore than he already had been. When James returned to work he found his promotion had been rescinded and reassigned to Tim. The boss said that he’d much rather have the man setting the traps in charge than the man falling into them. As James sunk back into his cubicle of anonymity he thanked his lucky stars that he had escaped a worse fate and been so easily rid of ‘that job’ as he would call it from then on.

Saturday, September 18, 2010

And With Blood the Ending Comes

This piece was published at Danse Macabre on June 8th.

And With Blood the Ending Comes

And with blood the ending comes
Washing through pipes, breathing force
A chamber concave impounds the heart
Flesh become one, is flesh ripped apart
There’s nought left but bare walls
To stare through at dusk
And the knowledge that she’ll soon be porcelained with love
Whilst I gnaw the rent throbs of memories she’s left

The yellow has spent itself from starry night
One twinkle of many sequined in the sky
Not missed, but if rare, more precious to shroud
Not nothing breaking through layers and shakes
My tense will tears at regret and at loss-
Being just a bead ‘mongst her pearls-
And with blood the ending comes

Traveller

This story was published as a short short at Fiction at Work on June 16th 2010.


Traveller


An unknown foreigner (for I am foreign wherever I go), a twenty-two year old man (if I am that yet), died (for I am that already) at ten o’clock on the night of November the twenty-second while reading Cortazar against a lamppost which a car, derailed by the fog, smashed into at one hundred and twenty kilometres per hour, passing first through his body like butter before hitting the stale, rock-hard bread of his illuminated support. How well this would all fit in with Oliveira’s wonderful conception of the absurd, and mine as well, that I could sit here looking for a blank page in a near full notebook to write about my own death. For I am dead; my epitaph is written. So I wonder why I hitch all through this countryside, and others, looking for beauty, recognising it in everything from the worm returning from its concrete exile to the sewer grate I have used as a urinal, and all those green fields, hills, and trees, each resonating with a praiseworthy internal aesthetic I cannot find in myself. Is that why I keep traveling? Because I only find ugliness within, and I hope and I pray that the more I ravenously devour of this external wondrousness the better it might hold back my dismay? For I am dead, it is true, and rotting away; this shell is my mausoleum, tombstone, and grave. I will go to sleep beneath that bus shelter across the street and wake up tomorrow knowing I died today and maybe, just maybe, I’ll be able to start again.

Saturday, August 21, 2010

Friday, July 23, 2010

Bios

One of the things I love about submitting my work to magazines and e-zines is coming up with silly third person bios. The whole idea of the fifty word max bio is ridiculous, but when that is embraced it's wonderful. Here are a few of the bios I have come up with:

Erik Knutsen is a writer who does not enjoy writing about himself in the third person, so he didn't he dictated. In this sense, he is trying to be the new Milton. His life seems to constantly be sucked back to Vancouver, BC.

Erik Knutsen was too squeamish to become a doctor. The only thing left, it seems, was this.

Erik Knutsen doesn't really care who he is, so long as someone is there to remind him.

Erik Knutsen is a twenty-two year old born and raised Vancouverite. He just dropped out of Portland Community College due to lack of funds. His life consists of writing, eating, and sleeping.

Erik Knutsen dreams of being a magpie. His attraction to shiny things would be more acceptable. He lives in Vancouver, BC but loves in Portland, OR.

Erik Knutsen is not available to come to the phone right now. Please leave a message with your name and number and he will get back to you as soon as possible.

Erik Knutsen was born in Vancouver, BC, lives in Portland, OR. He is unsure where he will die.

Erik Knutsen has only ever read one book. But he read it a lot!

Erik Knutsen lives in a small town. He has never tried this before. It makes him regret ever saying, “I’ll try anything once.”

Erik Knutsen is reformatting his computer for the nth time. He wishes that he could solve all of life's problems by reformatting.

Erik Knutsen lives, but does not work, in Fortuna, CA. He has been published here and there. He hopes to be published more here and less there.

Erik Knutsen is feeling faint due to the raw food diet. He wants to be healthy, but he's not sure if it's worth it. He dreams of burgers and bacon.

Erik Knutsen longs to be free. Like in the sentence: "the land of the free and the home of the brave." But, living in the United States of America, nobody can really tell him what being free means.

Erik Knutsen has never met a trustworthy fox. He won't keep the company of wolves, and his dogs are cowards. Thus he has no canine companion to join him in his adventures.

Erik Knutsen is looking for a land to call home. If you know of a good one, write down the address on a piece of parchment and send it via bottle delivery.

Erik Knutsen has being trying to live and act without acknowledging his own existence. It seems it might be impossible.

Erik Knutsen hopes someday to grow up somewhere other than Vancouver, BC or Portland, OR. Maybe it'll be in Humboldt county that he'll finally find himself some maturity.

Erik Knutsen was a good friend to himself, until he had a falling out. Now he spends his time trying to recover from the heartbreak of having been rejected by one so dear and near.

Erik Knutsen doesn't do much; he hopes that qualifies him to be a good writer. His life centers completely around the written word; he sometimes forgets that reality is out here and not in there, or the other way around?

Monday, April 5, 2010

Clear

This piece was published in the Summer 2009 issue of Tinfoil Dresses.

Clear


I have already been thinking about you thoroughly; about marble and of jade. It is becoming quickly the something I must say that it is the girl rushing through the woods and houses along the way who holds the heart for singing that ignites salacious remonstrances, or is it the other way. Her inborne dualist primacy, feral or severe, is reflected in me right here; so by virtue of wishing through another upon oneself but withal still intact - I want her to be made of porcelaine. In Pan's reedy whistle she wanders merrily, her green, green cloak a shoutback of his verdant melody. It is the shoulder that I wish to lay my hand upon. "So let me guide you," and thus I stood beguided. For I deniably stand for all that is good. While shaking off the grime, I was beckoning you in, though may I not enjoin you overzealously. But when you're through my door the knockings are louder ever more. You didn't walk this way only for yourself; I was there right with you in previous foreknowledge of the moutains and crystal lakes which praise my kind of day. Marf is a clean carpet and sweat sock footed feet. Chocolate. A Link fighting nobly to the console between our controllers' cord's end things. Candy. You and me and disney. Lollipops. The one thing I gave that I can never take away. I have abandoned everyone. I would come, I would come to visit you. My marf is your diamonds and cocaine. Is a relationship now contained in so few days, when all available recollections reflect a moribund instant of joy or two? She wants to be bone and flesh! Could the ikons love bone and flesh? When a wooded fir is trying to be an art print littered table, perhaps along the way. Hallowed be thy name; I wish but fear I'm failing to preserve thy sanctity. But that art print littered table may not have been what the fir had meant, it seems, it's strivings to achieve. So my mundanity breeds your insanity, I would still take those cut out pills with you another day. It wasn't even my affectations of nobility but my vectorised lucidity which prevented me. I wanted, oh, I wanted; please don't take away. Give me a second chance to rectifie today. Am I to keep myself from ever opening my abdomen to someone else, my entrails spilling out only onto the page where their blemishes are not shared to understanding. This next silence may even be too much for me. I forget who I'm to be writing about: a porcelain girl, or me. You seem to want to be Nastassya Filippovna, while I want to be Myshkin with a different wakeful ending. You said, "Link Absolves Zelda," which was a wonderfully beautiful and insightful thing.