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Monday, March 18, 2013

King and Queen

This piece was published at Camel Saloon on August 7th, 2011.

King and Queen

The King lingers over the Queen's heart
Only in thin lines on a page.
His dull button silently clicks her facsimile cards.
O! Living miracle divine,
Meaning in a sign.

Bake Up

This piece was published at Mad Swirl sometime in 2011.

Bake Up

She had imagined once that love was soft and squishy like carrot cake or banana bread. With Claude, it was at first, if not a little moister than she wanted. But as the initial passion wore off, she found it to be a little more light and flaky– croissants, cherry pinwheels; she found the portions bigger but less filling.

Three years of her life had been given to Claude, and she could no longer pretend that she even liked him. They had grown distant, torn by the pressures of life, and unable or unwilling to do the kneading needed to keep their affection growing.

Evelyn was considering leaving him. The relationship had become crunchy and dense like the crust of the pie she was baking. It was going to be a surprise for Claude when he got home. Yet, even though she wanted to show him how much she loved him, she couldn’t help feeling that they, as a couple, were already dead. The pie would not take away the hurtful things that had been built between them, layers of bitterness caked together into shells hard as bricks.

Evelyn watched the pie in the oven. It browned into a beautiful gold. It was the finest pie she had ever made. She waited, the shell grew darker. It cracked, and the peak began to burn. The pressure inside built, and the pie grew, mountainous, monstrous. When the crust was completely deformed and black, Evelyn removed it from the oven. Crying, she left.

Holy Words

This piece was published in the now defunct Fiction at Work in 2011.

Holy Words

I have read these words before.  A mythology posing as liturgy.  Some things seemed restrictive, others simply inexplicable, and He... He seemed to be the greatest rule monger of them all.  But there was that one image that stood above all others.  It haunted me.  I could see it stand starkly against the circle of the sun, forming a window into some unfathomable mystery.  I would describe it as the scarecrow of calvary, terrifying men into sanctimonious sanctity, or alternately I would make deification into a sin worthy of forgiveness.  Who better, though, to forgive that sin than He Himself.  And I read these words, and they seemed a bleak house, a terrible damnation built in the clouded eyes of bald-robed hermits who drank deserts like salted cacophony, their cauterized cognition vaulted by hollow-toned stone cathedrals with devil vermin falling like waves off the bells.  And I hated these words.  And I hated His message.  And I hated His followers. And I hated Him.  And I wished to humiliate Him, to overpower Him, to destroy Him.  But I loved Him, too.  And now I find that these words have humiliated me, overpowered me, and destroyed me, because He did so.  For they were no words to read until they attuned to the living word that comes dwelling in me, just broken shells devoid of glory.

The Shadow Back

This piece was published in the September 2011 issue of Eclectic Flash.

The Shadow Back

The editor lifted her hand to rub her eyes.  It was late, the stack of submissions before her was as tall as ever.  The light from her desk lamp threw her shadow into sharp relief.  When she said that she wanted her notions of what writing can do exploded, she didn’t mean she wanted high-powered grit and hip imagery redounding on the glitz of life, lust and love, dragging it into the exaggerated grime of romanticism posing as pessimistic realism.  The black letters were failing to stand out against the page, diffusing in washes of white.  She hated Arial.  If these pieces did not improve she would be without something to publish, every editor and every writer’s nightmare; all the good ideas have run out.

What was she looking for?  She could not remember.  The long night had worn down her once defined impression of her goal.  She would know, she kept telling herself.  It is always obvious when something is good.  There is a certain quality that we can identify when it’s before us, but cannot describe otherwise.  We can only expound by example, proving something by its shadow.  She had not even encountered the tip of the shadow, yet.  It projected behind her.

She wearily pulled the next submission into the light.  Her eyes fell on the page, lazily at first, but the story drew her in.  She furrowed her brow at one point, at another she pursed her lips, her eyes would widen periodically, and she released a soft, questioning noise at one point.  The story she was reading broke through her, redoubling the relief at her back.  The hair rose at the nape of her neck.  She was not where she saw what she saw; while pouring over the page she came to be otherwise staring at her own back as if from behind her shadow.  She tried to turn but found that too many twists and turns had taken place.  She could not move her gaze away from the sight before her.

As she stared at her back in the dim light, she began to see things.  She thought her eyes were playing tricks on her, but the more she saw the more she understood the truth.  All the cracks and flaws twined their way along like insects and reptiles.  Every defilement she hid became apparent.  She had been looking for something that showed her herself.  But this seemed a bit presumptuous.  The author was under her skin, where she wanted no one.  Her nature thrust against her very being, tugging her from her intricate about-face.  She thrust the page aside, and shrank from her shadow. 

Tuesday, September 20, 2011

Praying with Clocks

This piece was published at Eunoia Review on May 22, 2011.

Praying with Clocks

The gauze, constricting, shrouds his hands. He would that they would meet, moving beyond the lifeless clasp which whitens the knuckles. No amount of false tears can melt his yearnings to his words, which fall in a litany of useless entreaties. He repeats phrases, runs down lists, enumerates names to eat time away, but the clock ticks baroquely on the inert invocations, as his eyebrow twitches to its every movement. Time progresses, with God but slowly. He sweats with anxiety and steels himself for death whilst his life is robbed. His precious moments simper on, but he is girt only for abasement.

Every day he comes calling. Ask and it shall be given to you, seek and you will find. But nothing poured its deluge and smothered the coals of his expectation. Hear my cry, he would call. Are you there? he would ask. He looked on silence as the face of things, and his brow was not crowned with humility and patience. Once he would lose himself in supplication, but now his staticity made devotions of the clock’s ticking. Because he could not move his heart beyond the seemly, its exertions became fixations. His prayers became fuel to enervate the minutes and hours, his anticipation and his hope, wrapped up in numerical values, ceased to function on the human. He was paralytic in his computing, subdividing chunks of time to make faster its passage; varying his perception of the movement and interpretation of segments to augment the impotence of the already unengaging hours.

Something changes, though; the second hand clicks and vibrates as it tries to move forward. He watches as it ticks off second by second without progression. He frowns at the dirty trick but cannot leave; his hour is not at end. With the counting frustrated, he scrabbles for words and praise to lay out in offering. With every hollow crust of a word, the clock fails to record a second. With every extra moment, his indifference turns to ire. The more he babbles in his mind, the faster time does not pass. He contemplates abandoning the whole failed myth of it all, but he knows if he does that now, he will not be able to go back on it later. What can he do? There is no negotiating with a malignant deity demanding devotion.

It is apparent, he reflects, that only an imposition on his will could bind him in such a way. The convergence of events, the intersection of moods and precedents, these show the artfulness that goes beyond natural life. There is an intervention at work on him. He can but tremble, for he knows not the why or the wherefore. Cut off from man, cut out from time, cut away from the world, he imagines this isolated eternity imposed on every second that he has ever lived. Every humiliation, every shameful act, every guilty moment, every wasted evening, every barren, sorrowful ounce of pain he has inflicted or suffered, each one stretching out, echoing through the canyons of reality, unchanging, deepening the scars in his trapped soul, and he, unable to escape, let go or be free, is shaded with regret, becoming its doppelganger and kin. He begs freedom from recurrence.

Earnestly, he cries. Don’t let my days blow through open windows, he says. Don’t let my crooked ways haunt me. Don’t let my unfruitful hours prey at my mind. Don’t let my goodness be squandered and stifled by evil. Don’t let me be a limb lopped off. Don’t burn my fat and consume me for glory. But above all, don’t let my slow heart impede you. I desire mercy, not sacrifice. Forgive me. Forgive me.

The second hand ticks once more and moves forward.

Sunday, August 7, 2011

Road Kill

This story was published at Pagan Friends on April 30th, 2011.

Road Kill

The lights were crashing by with incredible noise, breaking the water in sheets that spread out like wings. Humphrey emerged from the bushes timidly. He blinked slowly, but did not look both ways. A vicious urge drove him forward. He had to move. East, over the plain, there was somewhere he needed to be. Directed by his instincts, his individuality was obscured. He was now primal matter, invested as a force, soulless and driven.

The deadline drew near, for his destination was time as well as place. He had to go forward despite the danger from the roaring lights. He placed his foot on the unyielding surface. His knees buckled as the ground refused to give way beneath him. Each step felt as if he was kicking up rocks.

A set of lights roared up and over him. The massive bulk behind the glowing eyes became visible like a can rising to the surface of a pool. He tried to pull his head in to protect himself, but he was struck anyway. Violently he was smacked around and thrown aside. His blood oozed everywhere, his limbs splayed and broken. Agony electrified his frame, pulsing in convulsions.

Car after car drove by his shattered body. The lost life at the side of the road meant nothing to any of them, but it meant a great deal to him. As his vitality waned, so did the need that had screamed through his flesh. He was restored to himself; the heavy hand of his ancestry left him to face his death alone.

A Mouse's House and I Hate Italy

These two pieces were published at Danse Macabre du Jour on April 19, 2011.

A Mouse's House


Outside, the rollicking pale waste,
Shadings of black and white clouds,
Softly waves over the sky.

The balloon floats, waiting for its fall.
Chiaroscuro textures form gently
Across the smooth curve.

A couch lies, lost, sitting, waiting.
It’s left for taking at no cost,
Perched over the curb until…

Leaping, the cat moves slowly,
As if suspended in time,
Through the vacant glass.

A drip, dripping,
Echoes through the house
Clearly, with resonance.

A breathless impression of sound
Comes heaped in a jacket pile
With stillness from the ears poking out.

That gentle sobbing sigh,
Nearly lost in ambient noise,
Hides, one with rooms and buoys.

All is betrayed from order:
Over, under, wrinkled, torn,
Scattered, barely worn.

Fool! Brushed the drooping curl,
Peaceful in parallel slits,
Now, rhythmic venting winds.

I Hate Italy


I hate Italy; Italy hates me. It’s as if I’m a returning Etruscan King; the land itself rises against me. Heat and humidity are sent to dull my wits as I come to Milan. In Venice, whilst I plot its demise, the ancient winding roads conspire to confound and irritate my companions and I. We are but three wise men following a star to our destination; why are we dealt with so harshly? Is this not the home of the faith? Is every new pilgrimage such a threat? I feel fortunate that I did not leave without some spoil, or else all would be in vain. I gladly walk from this place in my new boots of Spanish (an aesthetic adjustment to the truth, they’re actually Italian) leather.